Editorial Layouts

The following are examples of layouts I created for various publications. Some issues include produced photography, in which I art directed, while others include purchased or repurposed content.

MEDITERRANEAN DIET (BETTER HOMES & GARDENS)
This magazine was comprised of a mix of new and existing photography. The title editor and design director worked together to determine which recipes would be shot new. When I came on board, the photography process was just getting underway, so I attended the photo shoots to get a better idea of how the overall food and recipe process worked. (buy magazine here)

All Aboard: While on set, I worked with the title editor to reimagine how this story would be structured. The original idea planned by the design director was to have a bowl on each page, each food element being added one at a time; for example, the first page would show three bowls each with their own grain, then the second page would show those same bowls with different proteins in each, and so on. I felt that it would be too much visual repetition, so I proposed the design shown below. We worked with the food stylist and photographer in the moment to create these scenarios. ︎︎︎

EASY GARDEN & OUTDOOR PROJECTS (BETTER HOMES & GARDENS)
This magazine is mostly comprised of existing projects and photography, paired with new commissioned plant illustrations. There are several home garden tours mixed in with gardening projects. (buy magazine here)

Creative Growth: This story is all about creating container gardens for outdoor spaces, for which we include instructions for at the end of the magazine. Accompanying each container, we have “planter recipes” which tell readers the exact plants shown in the photos. The illustrations are paired with text giving a brief explanation of the plants. Planter Recipes are used consistently throughout the issue. ︎︎︎

SOUPS & STEWS (BETTER HOMES & GARDENS)
This magazine is a “best of” issue, which is comprised of Better Homes & Gardens recipes and photos that have been featured in various other titles under the brand. Instead of having stories or chapters, the issue mixes all ingredients and categories of soups and stews, numbered 1–100. As the designer, I was able to place the recipes in any order I wanted, so I made sure to separate images by: food color, background color, ingredients/food texture, photography angles, and number of bowls per image. Throughout the issue, there are “flags” to identify Pressure Cooker, Slow Cooker, and 30 Minutes or Less for which I designed the icons. (buy magazine here)︎︎︎

COUNTRY FRENCH
This magazine is a mix of new and existing content. Some stories were repurposed from sister publications, while others were newly acquired. It was important to me to design all of the content in a way that was fresh and ensure the new and existing photography were indecipherable from one another by making a cohesive look throughout. (buy magazine here)

Easy Elegance: This was my first time designing Country French from scratch. The existing template hadn’t been updated for many years, so I was able to freshen up elements including: fonts, end bugs, symbols, sidebar treatments, and grids. I wanted to convey a sense of elegance that would compliment the photography. ︎︎︎

FLEA MARKET DECORATING (BETTER HOMES & GARDENS)
This magazine had existed in years past, but we brought it back because of the resurgence of interest in flea market items and collecting. It was largely centered around home tours and curated collections. (buy magazine here)

Road Trip to Round Top: This particular story ran in a sister publication in years prior, but the content is still relevant and informative for readers, so we repurposed it. I was able to reconfigure and condense information into a smaller number of allotted pages from which it originally ran. Since the story contains a lot of information, I wanted to keep the grid structure similar between pages to make it easy for readers to engage with the content. ︎︎︎

TEQUILA & MEZCAL (LIQUOR.COM)
This magazine is the third print publication in which we partnered with Liquor.com to repurpose their digital content to sell in print on newsstands. I created the template to be cohesive with design and typographic elements featured on their website. For each of the three magazines, I kept the basic design elements the same, but changed the color palette to fit the theme and overall feel of each issue topic (Whiskey, Cocktails & Mocktails, Tequila & Mezcal). (buy magazines here)

It’s Time For A Margarita: These selected spreads are part of a longer story, but is a good visual representation of the overall look of the issue. Each chapter/story has a mix of recipes, recipe history, tips, and bottle recommendations.︎︎︎

HOLIDAY CRAFTS (BETTER HOMES & GARDENS)
Each issue of Holiday Crafts features 70+ projects which are divided into chapters by theme. The majority of the chapters are composed of projects from different designers, so it’s important to come up with photo plans that create a cohesive look to hold the stories together. Typical layouts feature styled photos at the beginning of each chapter followed by instructions for each project. (buy magazine here)

The Bright Side of the Season: This story is all about bold and colorful projects, so I wanted to create a title design that would be bold yet simple to balance out the photography. While conceptualizing the sets and scenarios, I used similar background colors to tie the projects together since they were all made by different designers and from various materials. The layouts include solid fill backgrounds and geometric elements to tie back to the title page and really hold everything together. ︎︎︎

QUILTS & MORE (BETTER HOMES & GARDENS)
When quilts arrived in the office, I would create a photo plan which included the scenario of the set along with propping notes. Once photographs, instructions, and illustrations were finalized, I compiled everything into a layout. Our practice is to include a styled photo of the project, a flat shot, and all of the necessary instructions and illustrations. It’s important for illustrations to flow into the text where they were referenced, which often dictated the overall flow of the story.

Perfect Match: This is an example of a story that features two projects in one; a twin-size bed quilt and coordinating doll quilt. I wanted to create a scenario where the projects could be featured in one image so readers could understand the difference in scale and how they related to one another. The flat shots appear proportionately correct, which adds to the size clarification. ︎︎︎